Great River Shakespeare Festival knows Black Lives Matter
As a company, we mourn the death of George Floyd and call for justice in his murder. Racism is a blight on our communities, state, and country. As artists we cannot fully express our own stories or the stories of others when black Americans are consistently being ignored, beaten, and killed – there is no art in that. Black lives matter.
In a time when theater after theater is releasing statements of solidarity and pledges to be better allies, we know that for many BIPOC artists, these statements are ringing hollow. Great River Shakespeare Festival apologizes for the harm we have caused BIPOC artists and audience members, and we pledge to do our best to not cause harm in the future.
We also know that the Festival’s silence on how we plan to improve our practices has signaled complicity, or a hope not to be held accountable for our role in upholding white supremacy*. We see this, and acknowledge that transparency about the internal work we are doing is necessary, and we will be more transparent in the future. Some of the steps we are taking internally include reallocating our budget to better compensate consultants and associate artists (artists who advise outside of their Equity or design contract), reserving time for frank discussions among the leadership staff about our complicity in white supremacy, and formalizing the artist groups who guide our artistic choices throughout the year.
The staff slated to join the festival in 2020 have all been given the right of first refusal for Season 17 (which has now been postponed until 2021); we will have BIPOC artists and administrators at all levels of the Festival before then. If you have suggestions or want to see more concrete plans for the Festival, please feel free to reach out at email@example.com.
We are also reflecting on the statement of The Ground We Stand On, a group of BIPOC theatermakers who have said #weseeyouwat. Our entire leadership team has signed their petition and will “share this to amplify the voices of BIPOC artists and administrators in our field and to hold [ourselves] accountable to [our] actions.” To learn more about The Ground We Stand On and the demands they are making of white American theatermakers, click here.
GRSF has now published our plan to address the demands laid out by We See You WAT (see above). To read the full plan or download the document, CLICK HERE.
*At GRSF, words matter as does being clearly understood. It is central to our mission. We chose the words expressing that we wish “…to be held accountable for our role in upholding white supremacy” with care, and we stand by them. We use the words white supremacy not to pass judgment on any individual or community or to accuse ourselves or anyone else of being white supremicists. We choose the words to acknowledge our responsibility for and participation in a system that wittingly or unwittingly reserves for white people the overwhelming majority of positions of power and authority. If you would like to better understand what has informed our word choice, please see this article. As arbiters of what stories get told and how they are told to thousands of people, we recognize the responsibility that we have and commit to include more Black, Indigenous, and other People of Color in positions of power and authority.